Product Description

Product Details

• Amazon Sales Rank: #6278 in Books
• Published on: 2009-09-01
• Released on: 2009-09-01
• Original language: English
• Number of items: 1
• Dimensions: 1.60" h x 5.58" w x 8.10" l, 1.54 pounds
• Binding: Paperback
• 912 pages

Amazon.com Review
Amazon Best of the Month, November 2008: It was one thing to read Roberto Bolaño's novel The Savage Detectives last year and have your mind thrilled and expanded by a sexy, meandering masterpiece born whole into the English language. It was still another to read it and know, from the advance reports of Spanish readers, that Bolaño's true masterpiece was still to come. And here it is: 2666, the 898-page novel he sprinted to finish before his early death in 2003, again showing Bolaño's mesmerizing ability to spin out tale after tale that balance on the edge between happy-go-lucky hilarity and creeping dread. But where the motion of The Savage Detectives is outward, expanding in wider and wider orbit to collect everything about our lonely world, 2666, while every bit as omnivorous, ratchets relentlessly toward a dark center: the hundreds of mostly unsolved murders of women in the desert borderlands of maquiladoras and la migra in northern Mexico. He takes his time getting there--he tells three often charming book-length tales before arriving at the murders--but when he does, in a brutal and quietly strange landscape where neither David Lynch nor Cormac McCarthy's Anton Chigurh would feel out of place, he writes with a horror that is both haunting and deeply humane. --Tom Nissley

From Publishers Weekly
Starred Review. Last year's The Savage Detectives by the late Chilean-Mexican novelist Bolaño (1953–2003) garnered extraordinary sales and critical plaudits for a complex novel in translation, and quickly became the object of a literary cult. This brilliant behemoth is grander in scope, ambition and sheer page count, and translator Wimmer has again done a masterful job. The novel is divided into five parts (Bolaño originally imagined it being published as five books) and begins with the adventures and love affairs of a small group of scholars dedicated to the work of Benno von Archimboldi, a reclusive German novelist. They trace the writer to the Mexican border town of Santa Teresa (read: Juarez), but there the trail runs dry, and it isn't until the final section that readers learn about Benno and why he went to Santa Teresa. The heart of the novel comes in the three middle parts: in The Part About Amalfitano, a professor from Spain moves to Santa Teresa with his beautiful daughter, Rosa, and begins to hear voices. The Part About Fate, the novel's weakest section, concerns Quincy Fate Williams, a black American reporter who is sent to Santa Teresa to cover a prizefight and ends up rescuing Rosa from her gun-toting ex-boyfriend. The Part About the Crimes, the longest and most haunting section, operates on a number of levels: it is a tormented catalogue of women murdered and raped in Santa Teresa; a panorama of the power system that is either covering up for the real criminals with its implausible story that the crimes were all connected to a German national, or too incompetent to find them (or maybe both); and it is a collection of the stories of journalists, cops, murderers, vengeful husbands, prisoners and tourists, among others, presided over by an old woman seer. It is safe to predict that no novel this year will have as powerful an effect on the reader as this one. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
More vast and more lurid than his previous novels that have been translated into English, 2666 is not Roberto Bolaño's masterpiece but almost a compendium, in individual scenes, of the qualities that made him a great writer. His themes are violence, dislocation, and the sexiness of literature, and here these strands are recombined endlessly, in Europe, Detroit, and Mexico, through multiple narrators and prose styles. The action converges on the Sonoran desert, where Bolaño anatomizes, in brutal and eerie detail, the true-life murders of hundreds of women, most of which remain unsolved. By the end, after close to nine hundred pages, the reader will be impressed by the range and power on display but might wish that the novel cohered, rather than merely concluding.
Copyright ©2008 Click here to subscribe to The New Yorker